14,5 x 20 cm, 128 pages
Langue : French
Publié 11 mai 2023 par L'Atalante.
[Résumé éditeur] Des tigresses métamorphes amatrices de poésie, des mammouths de guerre aussi impressionnants que placides, une jeune lettrée tiraillée entre son cœur et sa raison, fantômes, goules et esprits-renards à l’affût, aventures baroques et amours libres… Dans cette aventure de l’adelphe Chih, Nghi Vo nous convie à un étonnant voyage, inspirée tant par les contes et la poésie de l’Asie du Sud-Est que par les combats sociaux qui l’animent. Aucun carcan ici, aucune frontière, seul importe le récit, porté par une plume légère et des images d’une originalité folle.
A perfect read for an automn evening with a cup of tea. Nghi Vo is an incredible storyteller, who never loses the reader in her stories of stories told by storytellers as well as tigers. In her world, tigers fall in love in young humans, or sometimes eat them, and sit around the fire listening and re-telling their side of the old stories... It is quite magic.
I wasn’t quite sure how Nghi Vo would continue after her Empress of Salt and Fortune – after all, her main character Chih, the recording monk, is hardly fit to carry sustained narratives. I needn’t have worried: this never tries to burden them with that task.
Instead, we are treated (and what a treat it is) to another take on the magic of storytelling and the nature of truth. If Empress was all about the true story lying hidden, this is about how the truth of stories is negotiable. Formally consistent with, and sharing the same rich world building as its predecessor, this second instalment is as enjoyable as the first, a wonderful feat of complex storytelling happening without any of the usual fanfare.
